Catusco placed a high value on experimentation and his paintings are an expression of his feelings on the act of artistic creation. His art operates on a deep level from a personal, primary spirituality. His late collages are dynamic expressions of inspired obsession emanating from sources, both primal & mysterious. They elude simple classification, giving Catusco’s legacy an air of mystery.

In his last years, Catusco became even more removed from society, limiting his contact with the public to occasional letters to the editor of The Taos News. A pack of unusually vicious dogs further insured his privacy.

Like many struggling artists he both hid from attention, (once leading Taos art journalist Tricia Hurst on a mad chase through the Safeway grocery store trying to avoid an interview), while, at the same time, complaining about the lack of rewards given to his artistic pursuits.

Source: David Witt, “Modernist in Taos”